Works in Progress (WIP)

Workshop Series

Works in Progress (WIP) is an ongoing program of workshops organized by lab members and coordinators, currently entering it's third year of programming.

 

The workshop series is meant to showcase new and developing projects by members of the Fine Arts graduate community (and special guests from beyond the faculty), creating a space for interdisciplinary critique and feedback. Encouraging the engagement of workshop participants, the emphasis is on research methodologies and future directions. We aim to create a space for alternative methodologies and practices, investigating research trends in the humanities such as visual anthropology, digital ethnography, field recording and sound experiments, approaches to information technologies, and other on the ground research practices. Workshops will be flexible and structured according to the necessities of the project. Workshop leaders are invited to pre-circulate reading materials and introduce multimedia aspects of their projects to accompany their presentations. However, other forms of workshop organization are welcome in order to fulfill the mandate of in-progress, emergent research.

2019-20 coveners: Patrick Brodie, Lola Remy, and Ylenia Olibet.

2018 Works-In-Progress Working Group

Organizers: Patrick Brodie, Patrick Smith & Viviane Saglier

2017 Works-In-Progress Working Group

Organizers: Patrick Brodie, Patrick Smith & Viviane Saglier

Workshops:
Techniques of Performative Inquiry: Technological Meditations

by Aaron Finbloom (Humanities)

SOLA: A Videogame on Gender-Based Violence

by Agustina Isidori (Design & Computational Arts)

The Greatest Wait

by Razan Al-Salah (Communications)

SPAM Zine

by Stale Bread Collective (Film Studies)

Transcriptions on the Voyage

by Jean Jacques Martinod (Film Production)

The Carousel Capital of the World

by Natalie Greenberg (Film Studies)

Workshops:

Documenting Capital: Intersections of Free Trade Zone Architecture and Digital Filmmaking

Patrick Brodie and Patrick Brian Smith (Concordia University)

Excavating the Invisible: Mapping Subaltern Solidarity

Sabah Haider

The Migrant Cinema: Indigenous Tibetan Films 

Yi Cui (York University)

Historiographies of the Present: Whither Our Imaginations of Futurity and Solidarity?
Dr. Mihaela Brebenel (University of Southampton)

Film Production Worlds: Fragments from Myanmar

Theo Stojanov (Concordia University)

Mel Hoppenheim School of Cinema, Concordia University, 1250 Guy Street, FB 319,Montreal, Quebec, Canada, H3H 2T4

Mailing address: Gem Lab, School of Cinema, FB 319, Concordia University, 

1455 Maisonneuve BLVD. West, Montreal, QC Canada, H3G 1M8

 

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