This article examines how narrative television in North America has portrayed COVID-19, often minimizing its impact and perpetuating a “return to normal” that sidelines meaningful societal changes.

In 2014, the filmmaker and editor LJ Frezza created a short video called "Nothing," which purports to contain "every shot from "Seinfeld" (1989-1998) where nothing happens" [...]

In the middle of the jungle, Astro Bot and I stumble upon a peculiar object: a robotic or space suit resting atop a circular metallic platform. Without hesitation, Astro Bot hops into the suit[...]

It’s Christmas time. A television stands on a desk, Björk sits on a chair next to it. [1] She talks about the hours they spend together[...]

Read an adapted excerpt from Juan Llamas-Rodriguez's book proposing a media theory of border tunnels, shedding new light on ongoing debates about border issues.

Perveez Mody begins her book The Intimate State: Love-Marriage and the Law in Delhi with a story about a 24-year-old Muslim man who scaled a microwave tower outside the New Delhi railway station in 1998 and declared an indefinite hunger strike[...]

The book Traveling Auteurs rewrites a small fraction of Italian cinema history and reinserts the Global South into that narrative[...]

SITE was more than a mere attempt to prototype a national TV grid in preparation for the launch of India’s own satellite.

Contemporary expansions of the media concept provide a starting point for what epidemic media are and what they can do.

In their Nov 1989 issue, TV and Video World proclaimed the 1980s to be the ‘Video Decade.’ In its cover blurb, the magazine noted that “the 80s witnessed the emergence of video as an exciting home entertainment medium” and that video has “transformed India’s social landscape”[...]

The cinematic formation that manifested at Tashkent resists many of the categorizations that we have come to accept in film history.[...]

The felt sense that we inhabit a convenience economy and culture is by now widespread[...]