
Video/Art and Seriality: reading group and screening
As part of the GEM Lab’s seminar on Video/Art/TV: Digital Aesthetics and Politics, we are holding a reading group and screening focused...
Video/Art and Seriality: reading group and screening
Sanaz Sohrabi's new film, Scenes of Extraction, premiering at Berlinale's Film Expanded programme
Becky Holt publishes new piece in Flow
Sensing the Unseen w/ Jakob Kudsk Steensen
Futurist Forensics w/ Patrick Brian Smith (University of Warwick)
Technopharmacology (2022) is out now through open-access Meson Press
Legacy Russell’s Glitch Feminism: A Manifesto: reading group and screening
Works-in-Progress: Encased Futures//Sensations and Seamlessness
Neither Dog nor Master: Stray Thoughts for Cinema Studies
The Smoosh, or the Auto-Affective Genres of Always-On Computing
Lynch's Daily Digits
Data, Heresy, and Censorship
My Trans Barbie Dream House: Media Fantasies of Bad Gender Play
Materialising the invasion: race, borders, and the semiotic reproduction of racial capitalism
The USIA’s “Tales of Hoja Nasreddin” Series with Hadi Gharabaghi
Darren Byler: Capitalist Frontier-Making in Northwest China
Cultural Critique publishes special issue on The Global-Popular
Making Revolution, an exhibition curated by Farah Atoui and Vivane Saglier, featured at MAI
Battles in a Future Estate: Lecture Performance by Ala Younis
High Dam: Lecture Performance by Ala Younis